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  • THE DISFIGURED FACE IN AMERICAN LITERATURE, FILM, AND TELEVISION
    CORNELIA KLECKER
    The face, being prominent and visible, is the foremost marker of a person’s identity as well as their major tool of communication. Facial disfigurements, congenital or acquired, not only erase these significant capacities, but since ancient times, they have been conjured up as outrageous and terrifying, often connoting evil or criminality in their associations – a dark secret b...

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