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  MUSIC AS SATIRE IN ALDOUS HUXLEY'S UTOPIAN WORKS

  HEIKE SIEGER

  This study explores the satirical function of music in Aldous Huxley's (anti-)utopian novels Brave New World, Ape and Essence, and Island, as well as in his stage adaptations of two of these works: “Brave New World: A Musical Comedy” and “Ape and Essence—A Play”. Huxley—himself musically educated and active as a music critic for The Weekly Westminster Gazette in the early 1920s...

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