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  DECADENT AESTHETICS AND THE ACROBAT IN FRENCH FIN DE SIÈCLE

  JENNIFER FORREST

  In his discussion of clowns in nineteenth-century French painting from Jean-Léon Gérôme’s 1857 La Sortie du bal masqué to Georges Rouault, art historian Francis Haskell wondered why they are so sad. The myth of the sad clown as an allegory for the unappreciated artist found echoes in the work of literary counterparts like Charles Baudelaire and his "Vieux saltimbanque" who seek...

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