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  GENRE AND RECEPTION IN THE GOTHIC PARODY

  KERSTIN-ANJA MÜNDERLEIN

  This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the developm...

  $1,200.00

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