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  AMBITION, ART, AND IMAGE-MAKING IN AN EARLY QUATTROCENTO COURT

  SARAH ROBERTS

  This study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment. Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci...

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